‘Javier Andreu and Rimbaud Patron are sharp and precise in the Spanish dance’

The Secret Theatre, Seeing Dance, December 2020

‘She (Claire Souet) is contrary, passionate, enticing; he (Rimbaud Patron) is adoring and exasperated. It’s a lovely pas de deux.’

Helen Pickett's Trace, Dance Tabs, August 2020

‘With staccato manoeuvres, the trio of danseurs – particularly Rimbaud Patron, communicate such weight, despite their featherfoot movements. Their presence in Salem is clear, their motives sharp, decisive and imposing.’

Helen Pickett's The Crucible, Corr Blimey, September 2019