Constance trained at the English National Ballet School. She appeared in the end of year performances in Lichine’s bal des cadets and Eagling’s Troppo Allegro and also in the annual show at Rosella Hightower School. Here, she appeared in the schools productions of Giselle and Don Quixote.
Constance joined Scottish Ballet as a guest artist in Autumn 2008, and joined the Company permanently in June 2009. She has danced in Page's Pennies From Heaven, Cinderella (Spring), The Nutcracker (Bad Snowflake), The Sleeping Beauty (Pina, Red Riding Hood), Fearful Symmetries and Cheating, Lying, Stealing, Forsythe's Workwithinwork, Balanchine's Rubies, Pastor's In Light and Shadow, Ashton's Scènes de Ballet, Alston's Carmen, MacMillan's Song of the Earth, Meckler/Lopez Ochoa's A Streetcar Named Desire and Martin Lawrance's Run For It.
Why did you become a dancer?
My parents took me to watch The Nutcracker in Paris Opera and that’s all it took; I was hooked! I knew there and then that’s what I wanted to do.
Constance Devernay's Twitter
Trailer for Matthew Bourne's Highland Fling, featuring Constance Devernay.
Constance debuted in the Bad Snowflake role in The Nutcracker
THE RITE OF SPRING 2013
. DanceTabs, 2 Oct 2013 – There’s a key moment early on when both kneel and bow down, as if in obeisance to some greater force. As the [Constance] enters over the rear ramp, dressed in a white tunic, her name evidently bears significance. At first, to plangent music for the basson, she treats both brothers equally before driving them literally up the wall. On pointe, she is delicate and athletic, her legs and feet like weapons.
THE NUTCRACKER 2009/10
. The Herald, 6 January 2010 – Constance Devernay debuts in the Bad Snowflake role with spirited spiky malevolence.